Katrina Chapman, `Journey to Nowhere: The Surprising World of Imants Tillers,' Eyeline, number 89 2018, pp. 66 - 72
Ian McLean, 'Imants Tillers: Journey to Nowhere' Artlink, Issue 38: 3 | September 2018, pp. 73-77
Eddie Ayres, 'Journey to Nowhere: Imants Tillers' Riga exhibition showcases his Latvian roots', The Hub on Art, ABC Radio National Interview, 1 August 2018
Andrejs Strokin, 'Photo-report: Unveiling of Imants Tillers' solo exhibition "Journey to Nowhere"', Arterritory Magazine, 7 July 2018
Daiga Rudzāte, A story about belonging and not belonging: An interview with Australian artist Imants Tillers', Arterritory Magazine, 5 February 2018
”Imants Tillers: Journey to Nowhere”, Baltic Times, Riga, 3 July 2018
Jill Stowell, "A survey of 40 years of Imants Tillers' paintings at the University Gallery", Newcastle Herald, 12 May 2018
Linda Morris, 'No Longer Invisible - Bringing Australian Art to the TATE Modern', Sydney Morning Herald, 3 April 2018
Simon Wright, 'A Meeting of Minds,' Artlines, issue 2 2018, pp. 52 - 53

Gina Fairley, ‘Path to collaboration-led reconciliation’, ArtsHub, 6 October 2017
Karen Hardy, ‘Powerful Message from Imants Tillers and Michael Nelson Jagamarra’, Sydney Morning Herald, 18 August 2017
Bridget Sutherland, ‘Colin McCahon and Imants Tillers: The Care of Small Birds — An Ecological Perspective’, Australian & New Zealand Journal of Art, 2017, vol. 17, issue 1, pp. 17—32

La défense de océans, Axelle Truquet, Quotidien Periodical, Monaco, 23 March.

Ian Wedde, ‘Finding words for the “silent text”’, Journal of New Zealand Literature, 2015 : 33, 189–198.
Llewellyn Negrin, 'Art and fine wine: a case study in the aestheticization of consumption', Continuum: Journal of Media & Cultural Studies, 2015, vol 29 issue 3, 419–433
Zoe Alderton, 'The Spirit of Colin McCahon', Cambridge Scholars Publishing, Lady Stephenson Library, Newcastle upon Tyne, United Kindom, 2015.
Luke Taylor, ‘Categories of ‘Old’ and ‘New’ in Arnhem Land Bark Painting’ in Ann McGrath and Mary Anne Jebb (eds) Long History, Deep Time; Deepening histories of place, Australian National University Press, 2015.
Ivor Indyk, I.M. Jann Harry, Sydney Review of Books, 5 June 2015
Michaela Boland, ‘Keith Murdoch letters loom large in Imants Tillers' Gallipoli art’, The Australian, 14 April 2015
Kerri Ritchie, ‘The Gallipoli Letter tapestry finished after 2,500 hours of weaving’, ABC News, 13 April 2015
Hannah Moore, ’Avenue of Remembrance commemorative tapestry goes on display at Australian War Memorial’, The Canberra Times, ACT News, 30 April 2015
Imants Tillers: In Conversation with Chris Cochius (ATW Weaver)’, Australian Tapestry Workshop, Melbourne, 3 March 2015
Edgars Greste, ‘Where paintings meet music: Imants Tillers and Rosalind Page’, SBS Latvian, 29 April 2015
Debie Cuthbertson, ‘Never mind the gap: Edmund Capon on curating a showcase of Australia’s modernist masters at TarraWarra Museum of Art’, The Sydney Morning Herald, 19 June 2015.

Bob Lingard, ‘The art of Gordon Bennett’, Arena Magazine, Oct/Nov 2014, Issue 132, 44–46.
Paul Duro, ‘Why Imitation, and Why Global?’, Art History, vol 37, issue 4, 606–627.
Ian McLean, ‘Post-Western Poetics: Postmodern Appropriation Art in Australia’, Art History, vol 37, issue 4, 628 – 647.
Michael Young and Cathy Cameron, ‘A live-in connection’, Art Asia Pacific, no 90, Sep/Oct 2014, 74–75.
Glenn Barkley, ‘Drawing the mark: 50 years of Watters Gallery’, Art Monthly Australia, issue 272, 2014, 32–35.
Rex Butler & A.D.S. Donaldson, ‘War and Peace: 200 Years of Australian-German Artistic Relations’, Electronic Melbourne Art Journal, vol 1, issue 8, 2014-15.
Anneke Jaspers, ‘In the ‘second degree’: revisiting Paul Taylor’s ‘POPISM’ at the NGV’, Art Monthly, issue 276, Summer 2014/2015, 50–55.
Brigitta Olubas, ‘Introduction: Country: “It’s Earth” Special Issue’, Journal of the Association for the Study of Australian Literature, 1 September 2014, vol 14, no 1, 24–28.
Sally Pryor, ‘Imants Tillers tapestry marks war centenary’, The Age, Arts, 8 November 2014
Sally Pryor, ‘Cooma artist Imants Tillers designs Gallipoli centenary tapestry’, The Canberra Times, Entertainment, 5 November 2014
Patrick McCaughy, ‘Strange Country: Why Australian Painting Matters’, Miegunya Press, 2014
Dylan Rainforth, ‘Imants Tillers Wins Gold Award’, Art guide, Australia, online, 7 July 2014.
Sasha Grishin, Australian Art: A History, The Miegunya Press, Melbourne University Publishing, 2014, pp428, 479, 490, 497.
Adrian Newstead and Ruth Hessey, The Dealer is the Devil: An insider’s history of the Aboriginal art trade, Brandl and Schlesinger, Blackheath, New South Wales, 2014, pp 220, 284, 325.
Betty Churcher, Australian Notebooks, The Miegunyah Press, Melbourne University Publishing, 2014, pp 13, 173–176, 177–178,
Tanya Buchanan, ‘Topic of Capricornia’, Belle Magazine, Aug/Sept 2014, pp 188 –192.
Dreamings: Australian Aboriginal Art meets De Chirico, Museo Carlo Bilotti, Rome, Sordello/Missina Collection, Rome, 2014, pp 117–138.
Ian McLean (ed), ‘Introduction’ and ‘Theories’ in Double Desire: Transculturation and Indigenous Contemporary Art, Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, 2014.
Una Rey, ‘The Grass Ceiling: Painting, Gender and Intercultural Collaboration’ in Ian McLean (ed), Double Desire: Transculturation and Indigenous Contemporary Art, Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, 2014.
David Garneau, ‘Indigenous Art: From Appreciation to Art Criticism’ in Ian McLean (ed), Double Desire: Transculturation and Indigenous Contemporary Art, Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, 2014.

Terry Smith, ‘Worlds Pictured in Contemporary Art: Planes and Connectivities’, Humanities Research, 2013, vol 19, no 2, 11–25.
Mark Titmarsh, ‘Walk the Talk: the politics of artists who write’, Art Monthly Australia, issue 260, 2013, pp. 33–37.
Marianne Riphagen, ‘Contested Categories: Brook Andrew, Christian Thompson and the Framing of Contemporary Australian Art’, Australian Humanities Review, vol 5, Nov 2013.
Ashley Crawford, ‘Punk, Pop & Pluralism: Mix Tape 1980s, NGV’, Art Monthly Australia, issue 263, Sep 2013, pp. 31–33.
Ron Radford, ‘Terra Incognita', in Ron Radford (ed), National Gallery of Australia Collection Highlights, Canberra, 2013, p 169.
John McDonald, ‘More than face value’, The Sydney Morning Herald, Visual Art, Spectrum, April 20-21, 2013, p 12.
John McDonald, ‘Outlook leaves much to be desired in this artistic landscape’, The Sydney Morning Herald, 2013, September 19, p 6.
Christopher Allen, ‘Encounters with nature’, The Weekend Australian, Review, 2014, August 16-17, pp 10-11.
Christopher Allen, ‘A shifting canvas: 50 years of Australian visual arts’; ‘Ten artists of the era’, The Australian, 2013, 22-23 June.
Mémoires Vives; Une Histoire De L’Art Aborigène, Musée D’Aquitaine, Bordeaux, 2013, 15 October – 30 March 2014.
‘Exhibition: The Archibald Prize’, The Australian, Arts Section, 2013, 22 March.
Christopher Allen, ‘Portraiture that looks like a snap to paint’, The Australian, Arts Section, 2013, 15 March, p. 15.
Elena Guarracino, ‘Local artist finalist in Archibald Prize’, Cooma-Monaro Express, 2013, March 14, p 4.
Imants Tillers interviewed by Helen Hughes in Helen Hughes and Nicholas Croggon (eds) Impresario: Paul Taylor, The Melbourne Years, 1981–1984, Surpllus, Monash University Museum of Art, 2013, pp 241-244.
Betty Churcher and Lucy Quinn, ‘Nature Speaks: AT’ in Treasures of Canberra, Halstead Press, Canberra, 2013, pp 106–107.
Daniel Thomas, ‘Elizabethan Post-Colonial 1950-2013’ in Australia, Royal Academy of Arts, London, 2013, pp 226 – 288.
Penny Webb, ‘The best of art’, The Age, Melbourne, 31 May 2013

Zubin Kanga, ‘Seven composers, from emerging to venerable, each with a unique voice’, The Sydney Morning Herald, Arts & Entertainment Section, 20 August 2012, p 14.
Christopher Allen, ‘Oh no, not you again’, The Weekend Australian Review, Visual Arts Section, 21-22 April 2012, pp12-13.
Bridget Cormack, ‘The ethics of cultural borrowing’, The Australian, Arts Section, 18 December 2012, pp 1, 15.
Beckett Rozentals, ‘Imants Tillers’ in Kelly Gellatly (ed) 101 Contemporary Australian Artists, The Council of Trustees of the National Gallery of Victoria, Melbourne, 2012, pp 6-7 & 196-197.
Ian McLean, in 'NOTES FROM THE FIELD: Appropriation: Back Then, In Between, and Now, Art Bulletin, June 2012, vol 94, issue 2, pp. 179—181
Andrew Hugill, Pataphysics: A Useless Guide, The MIT Press, Cambridge, London, 2012.
Lucy Moore, ‘Imants Tillers: Pure Beauty’, in Ewen McDonald (ed.) Site, Museum of Contemporary Art, Sydney, 2012, pp 41–47.
Graham Coulter Smith, ‘Imants Tillers' canvasboard works as a holistic system’, in MCA Collection: Volume One, Sydney: Museum of Contemporary Art, 2001.
Sasha Grishin, ‘A real life study in contrasts’, Canberra Times, August 29, 2012.
Helen Hughes, 'Review: Michael Nelson Jagamara and Imants Tillers', Frieze, Issue 151, October—November, 2012, p 166.
Bridget Cormack, `The Ethics of Cultural Borrowing', The Australian, 18 December 2012.

Richard Haese, Permanent Revolution: Mike Brown and the Australian Avant-Garde 1953-1997, The Miegunyah Press, Melbourne University Publishing, Melbourne, 2011, pp 158–159, 222.
Terry Smith, Contemporary Art: World Currents, Laurence King Publishing, London, 2011, pp 211–212.
Stephen Jones, Synthetics: Aspects of Art and Technology in Australia 1956–1975, Massachusetts Institute of Technology, Cambridge, USA, 2011
Peter Hill, ‘Imants Tillers’, Australian Art Collector, Issue 56, Sydney 2011
Ian McLean (ed), How Aborigines Invented the Idea of Contemporary Art, Institute of Modern Art, Brisbane and Power Publishing Sydney, 2011, pp 40-41, 46, 49-55, 64, 67-68, 105, 133, 159, 212, 219-220, 263, 264, 266, 269-271, 273-277, 302, 317, 319, 338.


Anna Davis, ‘Introduction’ in MCA Collection: New Acquisitions in Context, exhibition catalogue, Museum of Contemporary Art, Sydney, 2010.
Tracey Clement, ‘It’s a wrap… of 40 years’, The Sydney Morning Herald, Metro: Art Section, January 29–February 4 2010, p. 14.
John McDonald, ‘Breaking down the invisible walls’, The Sydney Morning Herald, The Critics, pp. 14-15.
Yuko Narushima, ‘On the flip side’, The Sydney Morning Herald, Special Promotion, 2010, January 30-31, pp 14-15.
Ian Mclean, ‘Five Dreamings 1984: Michael Nelson Tjakamarra b. c.1949’ in Stephen Farthing (ed.) Art: The Whole Story, Thames & Hudson, 2010, p. 543.
Stephen Farthing (ed), Art: The Whole Story, Thames and Hudson, London, 2010
John Barrett-Lennard, ‘Imants Tillers: written on the land’, Art and Australia, vol. 48, no. 1, Sydney, Spring, 2010, 102–114.
Ian McLean, ‘9 shots 5 stories: Imants Tillers and Indigenous difference’, Art Monthly, Issue 228, Sydney, 2010.
‘Favourite things: Marah Braye, CEO, Biennale of Sydney’, The Sydney Morning Herald, Good Weekend, 8 May 2010, p. 31.

Corrie Perkin, ‘The big picture’, The Weekend Australian Review, 26-27 September 2009, pp. 6–7.
‘1984 An Australian Accent’ in Sophie Forbat (ed.), 40 Years: Kaldor Public Art Projects, 2009, pp. 144–153.
Joan Kerr, A Singular Voice: Essays on Australian Art and Architecture, Power Publications, Sydney, 2009, p. 117
John Barrett-Lennard, A Partial View: The University of Western Australia Art Collection, Laurence Wilson Gallery and The University of Western Australia, Perth, 2009, p. 121
Terry Smith, “Wrapped Up in Art”, The Sun-Herald, 1 November, 2009, p. 8
Deborah Hart, ‘Imants Tillers’, in William McAloon (ed), Art at Te Papa, Te Papa Press, Wellington, 2009, p. 299.
Harriet Edquist, ‘George Baldessin: Paradox & Persuasion’, Australian Galleries with the Estate of George Baldessin, Melbourne, 2009, p. 15, 172, 185-93, 209, 225
Tony Godfrey, Painting Today, Phaidon, London, 2009, p. 439, 414-415, 76, 82.
Sophie Forbat (ed), 40 Years: Kaldor Public Art Projects, John Kaldor, Sydney, 2009, pp. 144-53, 20, 26, 41, 44, 64.
Ric Spencer, ‘Spaces to engulf the eye’, The West Australian, 20 February 2009.
Ian Mclean, ‘9 Shots 5 Stories; Imants Tillers and Indigenous Difference’, Art Monthly, No 228, April 2009, 13-16

Christopher Heathcote, Patrick McCaughey, Sarah Thomas, and Maudie Palmer (ed), L’Art Australien Contemporain: Rencontres depuis 1945, Hermann Editeurs, Paris, 2008, pp. 212-215.
Shimada Norio, New Horizons: The Collection of the Ishibashi Foundation, Bridgestone Museum of Art, Tokyo
Australian Latvian Artists, Australian Latvian Artists Association, Sydney
Jake Townsend, `Cultural Impressions', Aston Martin Magazine, Issue 4, Spring 2008, London
Maudie Palmer (ed.), Encounters with Australian Modern Art, Macmillan Publishers, Melbourne and Hermann Éditeurs, Paris
Ron Radford (ed.), Collection Highlights, National Gallery of Australia, Canberra
Ashley Crawford, `The Shock of the Independent: Imants Tillers and Tony Clark in Melbourne,' Art Monthly Australia, number 209, pp.17-20
Michael Eather, ‘Michael Nelson Jagamara: from the studio’, Fireworks Gallery, Brisbane
Olivia Sophia, ‘Imants Tillers: Melancholy Landscape’, Arc One Gallery, Melbourne

Rex Butler, ‘The revolutionary colouring history’, The Australian, Arts Section, 31 August, 2007, pp. 18.
Sebastian Smee, ‘In the mix’, The Weekend Australian, Review, 22—23 September, 2007, p. 18.
Sebastian Smee, ‘Beyond the Frame’, The Weekend Australian, Visual Arts Section, 3—4 November 2007, p. 18–19.
John McDonald, ‘Volte-face is no star turn but a desperate act’, The Sydney Morning Herald, Arts & Entertainment Section, pp. 14-15.
Robert Bevan, ‘How we stack up’, The Weekend Australian Magazine, Architecture Section, 23-24 June 2007, pp. 32–35.
Lynne Seear and Julie Ewington, ‘Brought to Light II: Contemporary Australian Art 1966 - 2006 from the Queensland Art Gallery Collection, Queensland Art Gallery Publishing, Brisbane
Olivia Sophia, ‘Imants Tillers’ in Sonia Payes, Untitled: Portraits of Australian Artists, Macmillan Art Publishing, Melbourne
Laura Murray Cree (ed.), Twenty: Sherman Galleries 1986 - 2006, Craftsman House, Melbourne
John MacDonald, Studio: Australian Painters on the Nature of Creativity, R. Ian Lloyd Productions, Singapore.
Bernard Smith, The Formalesque: A Guide to Modern Art and its History, Macmillan Publishers, Melbourne.
Justin Clemens and Max Delany, ‘Of tents and tenets: some relations between art and politics; The politics of appropriation’, Art and Australia, vol 44, no 3, Autumn 2007, pp. 429–433.
Robert Leonard (ed.), Richard Bell: Positivity, Institute of Modern Art, Brisbane


Anthony Bond and Wayne Tunnicliffe (eds), Contemporary: Art Gallery of New South Wales Contemporary Collection, Art Gallery of New South Wales, Sydney
Michael Fitzgerald, ‘Both Sides Now’, Time Magazine, 30 October 2006, pp. 64–66.
Prism: Contemporary Australian Art, Bridgestone Museum of Art, Tokyo, 2006
Charles Merewether, 2006 Sydney Biennale: Zones of Contact, Sydney: Biennale of Sydney, 2006
Sarah Thomas, ‘Imants Tillers: The Unpromised Land’, Clemenger Contemporary Art Award, Melbourne: National Gallery of Victoria, 2006, p. 23.
John McDonald, ‘From Japan with love’, Sydney Morning Herald, 16–17 September 2006, pp. 16–17 (Arts & Entertainment Section)
Christopher Chapman, ‘Imants Tillers in Canberra’, Art Monthly Australia, 195, November 2006, pp. 10-13
Deborah Hart, `Imants Tillers: One World Many Visions', Artonview, Issue 46, Winter 2006, pp. 6-13
Sasha Grishin, 'Tillers and Riley at the National Gallery’, Art and Australia, Summer 2006, vol 44, issue 2, pp. 168—71

Michael Eather (ed), Shoosh!: the history of the Campfire Group, Fortitude Valley: Institute of Modern Art, 2005
Caroline Turner (ed.), Art and Social Change: Contemporary Art in Asia and the Pacific, Pandanus Books, Canberra, 2005
Leta Keens & Jean Wright, `Mountain frame', Belle Magazine, April-May 2005, pp. 108-111

Alan Cruickshank, `Fragmented and fabricated: A biennial of what?', Broadsheet, June—August 2004, vol. 33, no. 2, pp. 14–15
Andrew Frost, ‘Yuill Crowley Gallery: The Wow Factor’, Art Collector, Issue 29, July—September 2004.

Ann Stephen (introduction), `Ian Burn and Imants Tillers in conversation', Art Monthly Australia, no. 159, May 2003, pp. 16-19
Peter Hill, `The timing is appropriate', The Sydney Morning Herald, Spectrum Section, 10–11 May 2003, pp. 12-13
John Kavanagh, `Tillers sampler, with wit and mischief', Business Review Weekly, 8–14 May 2003, p. 89
`A serious crush on high-powered art', The Sydney Morning Herald, 26-27 April 2003, p. 18
`The week's best', The Sydney Morning Herald, Metro Section, 2-8 May 2003
Daphne Guinness, `Chance and the art of paradox', The Sydney Morning Herald, Spectrum Section, 18-20 April 2003, p. 3
Howard Morphy, `Imants Tillers and the dislocation of the avant-garde', in Howard Morphy and Nigel Lendon (eds), Synergies, (exh. cat.), The Australian National University, Drill Hall Gallery, Canberra, 2003, pp. 43–50
Bruce James, ‘Imants Tillers: Recent works’, Art and Australia, vol 41, no 2, Summer 2003, pp. 224–225.
Jacqueline Strecker, ‘Inside Canberra’s art market; A thriving gallery scene’, Art and Australia, vol 41, no 2, Summer 2003,  278 – 280.

Anna Gray (ed), Australian art in the National Gallery of Australia, Canberra: National Gallery of Australia, 2002
Ian North, `Imants Tillers and positive value', Artlink, vol. 21, no. 4, 2002
Lenny Ann Low, `Size does matter', The Sydney Morning Herald, 15–16 June 2002
Katrina Schwarz, `Art as Theatre', Reviews Section, Monument, 46, February—March 2002
Benjamin Gennochio, `The reign in Spain', The Weekend Australian, 2-3 February 2002
Chris McAuliffe, ‘A Condition of Suspended Confusion’, Art and Australia, vol. 40, no. 2, Summer 2002, pp. 282–286.
Joan Kerr, ‘Colonial Quotations’, Art and Australia, vol. 40, no. 2,  Summer 2002, pp. 376–387.
Nick Waterlow, ‘The Aura of the Original; with reference to Benjamin, Berger, Tillers and Burn’, Art and Australia, vol 40, no 2, Summer 2002, 340–345.
Contemporary print collecting: Melbourne’s print workshops and publishers’, Art and Australia, vol 40, no 2, Summer 2002, 120–123.

Ian North, ‘Imants Tillers and Positive Value’, Artlink, 21:4, 2001.
Charles Green (ed.), Postcolonial + art: where now?, Sydney: Artspace Visual Art Centre, 2001.
Andrew Sayers, Australian Art, Oxford History of Art Series, Oxford University Press, Oxford, 2001
Helen Armstrong, `Shifting meaning: Multicultural Sydney's public realm', in Elizabeth Mossop and Paul Walton (eds), City Spaces: Art and Design, Craftsman House, Sydney, 2001
John C Welchman, Art after appropriation: essays on art in the 1990s, Amsterdam: G+B Arts International, 2001.

Martin Kemp (ed.), The Oxford History of Western Art, Oxford University Press, Oxford, 2000

Nicholas Thomas, Possessions: Indigenous art/colonial culture, London: Thames and Hudson, 1999
Bruce James, `Tillers goes bush', The Sydney Morning Herald, 5 June 1999
Benjamin Genocchio, `Grid tease from the Tillers man', The Australian, 4 June 1999
Michael Ried, `Bird-fanciers expected to flock to exhibition', The Australian, 24–25 April 1999, p. 4
Adam Dutkiewicz, `Democratic success', The Advertiser, 14 April 1999
`Visy Board Art Prize', The Leader, 31 March 1999
Russell Millard, `Lightning visit worth $40,000', The Advertiser, 29 March 1999
Katrina Strictland, `Work for labour's sake', The Australian, 26 March 1999, p. 18
Andrew Frost, `Australia's 50 most collectable artists', Australian Art Collector, January-March 1999
Margaret Marsh, Michelle Watts, Craig Malyon, Art: Art, research, theory, Melbourne: Oxford University Press, reprinted 2000, 2001, second edition 2003, reprinted 2005
Imants Tillers: Nature Speaks, Sydney: Sherman Galleries, 1999

Ian North, Expanse: aboriginalites, specialities, and the politics of ecstasy, Adelaide: University of South Australia Art Museum, 1998.
Stephen Radok, `The figure ground relationship', Art Monthly Australia, 1998
Leon Paroissien, `The Book of Power', Art and Australia, vol. 36, 1998
Tom Middlemost and Mary Eagle, Landscape, (exh. cat), Charles Sturt University, New South Wales, 1998
Helen Greenwood, `A love of objects from the exotic to the everyday, dictated the style of this Rose Bay house', Sydney Morning Herald, 8 October 1998
Peter Wood, `Homing in on explorations of identity and landscape', The Australian, 2 October 1998
Joanne Harris, `Merging pragmatism with spirituality', The Advertiser, 12 September 1998
Joyce Morgan, `A brush with greatness', The Sydney Morning Herald, 3 April 1998
John McDonald, 'Notes from the margin', The Sydney Morning Herald, 14 February 1998
Joanna Mendelssohn, 'Cerebral copies: The power of Imants Tillers in 50,000 pieces', The Weekend Australian, 31 January - 1 February 1998
Michelle Stockley, Art Investigator, Melbourne: Heinemann Publishing, reprinted 1998, 1999, 2000

Judith Blackall, ‘Imants Tillers’, Art/Text, Nov 1997/Jan 1998, issue 59, pp. 97
Michael Newman, `Imants Tillers' in In place (out of time): contemporary art in Australia, Oxford: Museum of Modern Art, 1997.
Christopher Allen, Art in Australia: From Colonisation to Postmodernism, Thames & Hudson, London, 1997
Michael Archer, Art since 1960, Thames & Hudson, London, 1997
Jason Smith, `The John McCaughey Memorial Art Prize 1997', Gallery, December 1997— January 1998
Myfanwy Warhurst, 'Mid-career in high country', The Age, Melbourne, 12 December 1997
Robyn Usher, `Artsbeat: McCaughey Prize', The Age, Melbourne, 2 December 1997
Dixie Gibson, 'Artist honours Monaro, Snowy', Cooma-Monaro Express, 27 November 1997
Lauren Hill, `Eight who have designs on city', The Sydney Morning Herald, 21 November 1997
Robert Rooney, The Australian, 21 November 1997
Ben Hopkinson, 'Cash to “forgotten” artist', Diamond Valley News, 19 November 1997
Ben Hopkinson, 'Not so young at art but full of ideas', Doncaster Templestowe News, 19 November 1997
Maria Prerauer, 'Where art meets industry', The Bulletin, 18 November 1997
‘High country work rewarded', The Bendigo Advertiser/Weekender, 15 November 1997
Susan McCulloch, 'More than land for Tillers's brush', The Australian, 14 November 1997
Rebecca Lancashire, 'Heading for the hills', Metro Arts, The Age, Melbourne, 11 November 1997
Helen Musa, 'Country project wins city approval', The Canberra Times, 11 November 1997
Damien Woolnough, 'Alpine lover's triumph', Herald Sun, 11 November 1997
Artists in line for a $40,000 fellowship', The Bendigo Advertiser/Weekender, 8 November 1997
Usher Robin, 'Artists shortlisted', Metro Arts, The Age, Melbourne, 5 November 1997
Morgan Joyce, 'Yen for the big league', The Sydney Morning Herald, 31 October 1997
Susan McCulloch, 'No boundaries in our sense of space', The Weekend Australian, 2-3 August 1997
Judith White, `Australia's most wanted', Australian Art Collector, Issue 1, July-September 1997
Giles Auty, 'Exuberance truncated', The Weekend Australian, 19–20 July 1997
‘Exhibit eh? How selling art to Asia raised eyebrows in Sydney', Metro, The Sydney Morning Herald, 16 May 1997
Imants Tillers: the enigma of arrival, Sydney: Sherman Galleries, 1997

Rex Butler (ed), What is appropriation?: an anthology of critical writings on Australian art in the `80s and `90s, Sydney: Power Institute of Fine Arts and Institute of Modern Art, Brisbane, 1996
Angela Bennie, 'Spirit and Place', The Sydney Morning Herald, Spectrum Section, 23 November 1996
Akihiko Takami, `Compounding Australian identity', Bijutsu-Techo, August 1996
The Twentieth Century Art Book, Phaidon, London, 1996
Tamaki Harada, `Probe into the present contemporary art in the southern hemisphere', Mainichi Gravure Amuse, no. 14, 24 July 1996
Joanna Mendelssohn, 'Perennial exile comes home at last', The Australian, 11 July 1996
Miki Yoda, `Strong aspect of multicultural society', The Sankei Shimbun Newspaper, 7 July 1996
T. J. McGuire, 'Down under Asia', Asahi Evening News, 27 June 1996
Neilton Clarke, 'Beginning at the end', The Daily Yomiuri, 7 June 1996
Chris Ashton, 'Off again, on again', The Bulletin, 16 April 1996
Leon Paroissien, ‘Ann Lewis: patron and collector’, Art and Australia, vol 34 no 1, Spring 1996, 56 – 65.

Charles Green, Peripheral vision: contemporary Australian Art 1970 - 1994, Sydney: Craftsman House, 1995
Antipodean currents: ten contemporary artists from Australia, New York: Guggenheim Museum, 1995.
Miriam Cosic, 'To all foreigners: We have art as well as outback', The Sydney Morning Herald, 28 October 1995
Sonya Voumard, 'Imants: At last in control of his destiny', The Sydney Morning Herald, 29 August 1995
John McDonald, 'Tillers's white nights', The Sydney Morning Herald, 8 July 1995
Pepe Karmel, 'Antidotes for a cartoonish image', The New York Times, 23 June 1995
‘Australian art in Japan', Tomodachi, December 1994—January 1995

‘Imants Tillers wins prestigious award', Flash Art News, May—June 1994, p. 54
Elwyn Lynn, 'Caught in the moment', The Weekend Australian, Review, 21–22 May 1994
‘Imants Tillers' (article in Japanese), Nichigo Press, May 1994
'Tillers wins Osaka Prize', Art Monthly Australia, Artnotes, March 1994
Imants Tillers: JUMP, Sydney: Sherman Galleries, 1994

Anne Marsh, Body and self: performance art in Australia 1969–1992, Melbourne: Oxford University Press, 1993.
Deborah Hart, Identities: Art from Australia, Taipei: Taipei Fine Arts Museum and University of Wollongong, 1993.
Joanna Mendelssohn, 'Bunches of tens', The Bulletin, 7 December 1993, pp. 79–81
Julia Robinson, 'Imants Tillers' artful kaleidoscope', Artist Magazine, Taipei, Republic of China, September 1993
‘A brush with success', The Sydney Morning Herald, 18 August 1993
Lynn Fern, 'A hero aground', The Sydney Morning Herald, 4 June 1993
Michael Hutak, 'Art heavies rage over Sulman', The Sydney Morning Herald, 12 May 1993, p. 2
Robert Berlind, 'Report from Australia: Winter walkabout', Art in America, April 1993, pp. 3–44
‘Art of the country: The big picture', Australian Country Style, February-March 1993, pp. 141-143
‘Fledgling gallery lays rivals on the canvas', The Sydney Morning Herald, 10 February 1993
Terry Ingram, 'Olsen top prize in gallery war', Australian Financial Review, 18 January 1993
M.K. Symonds, C. Portley, R.E. Phillips, The Visual Arts, Brisbane: The Jacaranda Press, 4th edition

Evelyn Juers, `Imants Tillers: the phenomenon', The Adelaide Review, June 1992.
Peter Hill, 'A Life of Blank: Works by Imants Tillers', Art Monthly Australia, May 1992, p. 13

Bernard Smith and Terry Smith, Australian Painting: 1788 - 1990, Melbourne: Oxford University Press, 1991.
Christopher Allen, 'Commentaries: Maloney; Hawkes; Tillers; Oliver; Rudyard; Grech; Henneman', Art Monthly Australia, July 1991, p. 14
Stephen Bann and William Allen (eds), Interpreting contemporary art, London: Reaktion Books, 1991

Michael Eather and Marlene Hall, Balance 1990: views, visions, influences, Brisbane: Queensland Art Gallery, 1990.
Mary Eagle, `Imants Tillers' in Art from Australia: eight contemporary views, Melbourne: Australian Exhibitions Touring Agency, 1990
Robert Atkins, Artspeak: a guide to contemporary ideas, movements and buzzwords, New York: Abbeville Press, 1990.
Stephen O'Connell, 'Imants Tillers', Art + Text, September 1990, pp. 146-147
Imants Tillers, 'Imants Tillers as a site of conflict', Art and Australia, vol. 27, no. 3, March 1990
Ashley Crawford (ed.), 'The 1980s: From leantime to dreamtime', Tension, no. 19, January 1990
Ewen McDonald, ‘Between Idea and Object; Recent installation work in Sydney’, Art and Australia, vol 28, no 1, Spring 1990, page 52 – 53.

Chris McAuliffe, 'A condition of suspended confusion', Art and Australia, vol. 27, no. 2, Summer 1989
Imants Tillers and Wystan Curnow, 'An exchange of notes', Antic, Auckland, no. 6, November 1989
John Hurrell, 'A brief look at Gilgulim, the doctrine of metempsychosis, and other tenets of Lurianic Kabbalism, as revealed on p.19301 of Imants Tillers's Book of Power when that was displayed in Wellington in 1989, and in his earlier books Rendezvous with and Three Facts', Antic, Auckland, no. 6, November 1989
Bridget Sutherland, 'Sign of the Cross', Antic, Auckland, no. 6, November 1989
Jenny Harper, 'Tillers' McCahons', Tension, no. 18, October 1989
Roy Murphy, 'Scene stealer', City Life, Sydney, vol. 2, August 1989
Nicholas Baume, 'The interpretations of Dreamings: The Australian, Aboriginal Acrylic Movement', Art + Text, no. 33, Winter 1989
Jenny Harper, 'Imants Tillers in Wellington', Art New Zealand, Auckland, no. 51, Winter 1989
Gundega Repse, 'Spraudisu netas globusa', Literatura un Maksla, Riga, 15 July 1989
Sally McMillan, 'Tillers: Next he takes Manhattan', The Australian, Melbourne, 1 June 1989
Michael Hubl, 'The Australian exhibition', Kunstforum, Cologne, March-April 1989
Nikolajs Bulmanis, 'Par Imants Tillers', Jauna Gaita, Hamilton, Ontario, issue 171, February 1989

Donald Richardson, Art in Australia, Melbourne: Longman Cheshire, 1988.
Eleanora Sturma, '6 Latvian Artists exhibiting in New York galleries', Latvian Art, Rockville, Maryland, vol. 14, 1988
Michael Archer, 'Bicentennial exhibitions in London', Art and Australia, vol. 26, no. 2, Summer 1988, p. 38.
Imants Tillers, 'Words of wisdom', Art and Australia, Bicentenary Special Issue, vol. 26, no. 1, Spring 1988
Nicholas Baume, 'Learning from the Dreamtime', Art and Australia, Bicentenary Special Issue, vol. 26, no. 1, Spring 1988
Justin Hoffman, 'Warum nicht Australien', Wolkenkrater, Hamburg, no. 4, July—August 1988
Michael Archer, 'Imants Tillers in London', Art Monthly, Sydney, no.12, July 1988
Terry Smith, 'Provincialism refigured', Art Monthly, Sydney, no. 13, August 1988
Jennifer Slatyer, 'The life-motif', Art Monthly, Sydney, no. 9, April 1988
Margaret Plant, ‘Sydney Biennales’, Art & Australia, vol 26 no 2, 56–65.

Eleonara Sturma, 'Seven Latvian artists exhibiting in New York', Latvian Art, Rockville, Maryland, vol. 13, 1987
Sandy Nairne, State of the Art: Ideas and Images of the 1980s, Chatto & Windus, London, in collaboration with Channel Four Television, 1987
Terry Smith, 'Imants' images: Fair borrowing is no robbery', Times on Sunday, Sydney, 29 November 1987
Jeffrey Rian, 'Imants Tillers', Art in America, November 1987
Peter Ward, 'Temple of light?', The Australian, Melbourne, 7–8 November 1987
Conrad Wolf, 'Imants Tillers in der Galerie Susan Wyss', Tages-Aneiger, Zurich, 9 October 1987
John Miller, 'Avant Garde in the Eighties', Artscribe, London, September—October 1987
Carl Pickering, 'Il punto di vista di Casa Vogue', Milan, no. 181, June 1987
Jude Schwendenwien, 'Refined vision', East Village Eye, New York, May 1987
Gunars Jurjans, 'From Venice to Melbourne', Australian Latvian News, Sydney, 10 April 1987
Kim Levin, 'Imants Tillers', Village Voice, New York, 7 April 1987
Vivien Raynor, 'Imants Tillers', The New York Times, 3 April 1987
Paul Foss, 'Mammon and millennial Eden', Art + Text, no. 22, March 1987
Juan Davila, 'Aboriginality: A lugubrious game?', Art + Text, no. 22, March 1987
Lois Allan, 'Issues for outsiders', Artweek, Oakland, California, February 1987
Michael Brenson, 'Two artists who flourish in a postmodern climate', The New York Times, 22 February 1987
Susan Morgan, 'Sydney Biennale', Artscribe, London, January-February 1987
Charles Green, ‘Charlie Tjaruru Tjungurrayi: a retrospective 1970–1986’, Art & Australia, vol 25, no 2, pp 42–43.
Jennifer Slatyer, `An interview with Imants Tillers', The Australian Bicentennial Perspecta, Sydney: Art Gallery of New South Wales, 1987.
Terrence Maloon, 'Imants Tillers and the museum without walls', Studio International, vol. 199, 1987, pp. 32-35.

Terry Smith, Constructing the history of Australian art: eight critiques, Sydney: Power Institute of Fine Arts, 1986.
Eleanora Sturma, 'Five Latvian artists in New York', Latvian Art, Rockville, Maryland, no. 12, 1986
Jurgen Hohmeyer, 'Durch die Wunderkammer', Der Spiegel, Cologne, no. 27, 1986
Ronald Millar, 'Venice Biennale and past futures', Art & Australia, Summer 1986
Terence Maloon, 'Imants Tillers and the museum without walls', Studio International, London, December, 1986
Peter Schjeldahl, 'A visit to the salon of Autumn 1986', Art in America, December 1986
Thomas McEvilley, 'Biennale of Sydney', Artforum, New York, November 1986
Paul Taylor, 'Biennale of Sydney', Flash Art, Milan, October-November 1986
Milton Gendel, 'Report from Venice', Art in America, October 1986
Michael Newman, 'Mysteries and mercenaries: The Venice Biennale 1986', Artscribe, London, September-October 1986
Peter Ward, 'The colour Tillers', The Australian, Melbourne, 6-7 September 1986
William Feaver, 'Venice: A user-friendly Biennale', Artnews, New York, September 1986
Catherine Millet, 'Venice: l'art et l'alchemie des prix', Art Press, Paris, September 1986
John McDonald, 'John McDonald and painter Imants Tillers go on a gallery crawl', The Sydney Morning Herald, 8 August 1986
Timothy Morell, 'Big drawings', Art & Australia, vol. 23, no. 3, Autumn 1986
John S. Weber, 'Venice Biennale offers art from the ingenious to the dismal', The Oregonian, Portland, 22 July 1986
Sophia Willems, 'Alles gesagt und nichts gemeint', Dusseldorfer Nachtrichten, 5 July 1986
John Young, 'Murmur of the soul', Tension, no. 9, May 1986
Ronald Fishman, 'Under 40 and on top', Good Weekend, The Sydney Morning Herald, 3 May 1986
Robert Nickas, 'The sublime was then (search for tomorrow)', Arts Magazine, New York, March 1986
Eleanor Hartney, 'Imants Tillers', Artnews, New York, January 1986
Ursula Hoff,  ‘Letter from London and Hanover’, Art & Australia, vol 24, no 2, Summer 1986, pp 48–50.
Arthur McIntyre, ‘Sydney Biennale’, Art & Australia,  vol 24, no 2, Summer 1986, pp. 36–42.
Ronald Millen, ‘Venice Biennale and Past Futures’, Art & Australia, vol 24, no 2, Summer 1986, pp. 42–46.


Michele Cone, 'Imants Tillers', Flash Art, Milan, December 1985—January 1986
Carter Ratcliff, 'Modern life', Artforum, New York, December 1985, pp 10.
Paul McGillick, 'American visions, Australian accents', Art and Australia, vol. 23, no. 2, Summer 1985
Robert Nickas (ed.), 'Hunger for words', New Observations, New York, no. 29, 1985
Kim Levin, 'Imants Tillers', Village Voice, New York, 12 November 1985
John Russell, 'Imants Tillers', The New York Times, 8 November 1985
Robert Nickas, 'Inversion, perversion, subversion', Figura, Seville, Spain, no. 6, Autumn 1985
Nicholas Baume, 'Original sin', Studio, Sydney, August—September 1985
Kerry Leves, 'Creating works out of feelings', The Australian Financial Review, 26 July 1985
Donald E. Kuspit, 'Imants Tillers', Art in America, March 1985
Elizabeth Parsons, 'Imants Tillers', Follow Me, Sydney, February—March 1985

Paul Taylor (ed), Anything goes: art in Australia 1970–1980, Melbourne: Art and Text, 1984
Kate Linker, 'Imants Tillers', Artforum, New York, December 1984
Ken Sofer, `Views from Down Under', Artnews, New York, December 1984
Michael Brenson, `Imants Tillers', The New York Times, New York, 5 October 1984
Kim Levin, `Upstarts from Down Under', Village Voice, New York, 5 October 1984
Thomas McEvilley, `An Australian Accent', Artforum, New York, October 1984
Thomas McEvilley, `On the manner of addressing clouds', Artforum, New York, Summer 1984
Eric Gibson, `An Australian Accent?', The New Criterion, New York, September 1984
Benjamin Forgey, `The edge of night', The Washington Post, 22 July 1984
Robert Atkins, `Australians arrive at PSI', Newsday, New York, 11 May 1984
Kay Larson, `Seeing Australia', New York Magazine, 7 May 1984
Kim Levin, `PS1's report card', Village Voice, New York, 1 May 1984, p. 100
John Russell, `The irony of Chirico', The New York Times, 27 April 1984
John Russell, `3 vigorous artists from Down Under', The New York Times, 20 April 1984
Ashley Crawford, `Imants Tillers', Tension, no. 3, February 1984
John Roberts, `Principles of motion', Art Monthly, London, no. 73, February 1984
Sue Cramer, `Vox pop', Art + Text, nos. 12 and 13, Summer 1983—Autumn 1984
Daniel Thomas and Jonathan Fineberg, An Australian Accent: three artists, Mike Parr, Imants Tillers, Ken Unsworth, Sydney: John Kaldor, 1984.
‘Artists on the Arts’, The Sydney Morning Herald, Metro, May 25 1984, pp. 1–4.
Mary Lee Thompson, ‘Australia – New York’, Commentary, Art & Australia, vol 22, no 2, Summer 1984, pp. 168–170.

Leon Paroissien, Australian Art Review 1983, Warner Associates, Sydney, 1983
Michael Archer, `We are not all in the same boat', Art Monthly, London, no. 72, December 1983
Anna Murdoch, `One of a new breed', The Age, Melbourne, 25 November 1983
Robert Rooney, `Tall Poppies', Flash Art, Milan, November 1983
Catherine Millet, `Special Australie: Art, musique, literature, peinture, aborigine', Art Press, Paris, no. 74, October 1983
Paul Taylor, `Art news: Artists in Paris', Vogue Australia, October 1983
John Young, `Anything still', Art + Text, no. 11, September 1983
Sue Cramer, `Masterpieces and Tall Poppies', Art Network, June 1983
Terrence Maloon, `Son of Dada moves on to masterpieces', The Sydney Morning Herald, 16 April 1983
Susan Hely, `Tillers seeks a sense of belonging', The Sydney Morning Herald, 7 April 1983
Germano Celant, `From alpha trainer to subway', Art + Text, no. 9, March 1983
Paul Taylor, `Popism: The art of White Aborigines', On the Beach, Sydney, no. 1, March 1983

Leon Paroissien, Australian Art Review 1982, Warner Associates, Sydney, 1982
Margaret Plant, `The encounter of Baldessin and Tillers on an etching plate according to des Esseintes 1976', Art Bulletin of Victoria, Melbourne, no. 22, 1982
Paul Taylor, `Popism', Real Life, New York, no. 9, Winter 1982
Annelie Pohlen and Wolfgang Max Faust, `Documenta 7', Kunstforum International, Cologne, September 1982
Stuart Morgan, `Kangaroo Court', Art Network, no. 7, September 1982
Richard Dunn, `The pursuit of meaning: A strategy of parts', Art + Text, no. 6, June 1982

Suzy Gablik, `Report from Australia', Art and Australia, vol. 18, no. 4, June 1981
Margaret Plant, `More than just coincidence', The Australian, Melbourne, 6 August 1981
Mary Eagle, `Tillers' facts', The Age, Melbourne, 12 November 1981
John Young, `From Three Facts to', Art + Text, no. 4, December 1981
Suzi Gablik, `Report from Australia', Art in America, vol. 69, no. 1, January 1981
Janine Burke, ‘The Melbourne Scene’, Art and Australia, vol 18, no 3, Autumn 1981, 227–228.

Dianne Beevers, ‘According to des Esseintes', Artemis, Newcastle, vol. 9, no. 4, October 1978
Imants Tillers and Michael Scullion, `Dialogue on False Mount Hayward', ZX, Sydney, no. 2, August 1978
Mary Eagle, `Picture of Duchamp a success', The Age, Melbourne, 12 July 1978
Brian Lindman, Have you ever been taken the same way?, Royal Melbourne Institute of Technology, Melbourne, 1978

James Mollison, ‘The Australian Collection’, Art and Australia, vol. 14, no. 3, 4, Summer and Autumn 1977, pp. 328–352.

Donald Brook, `Imants Tillers and the redefinition of art in Australia', Art and Australia, vol. 13, no. 1, July 1975, pp. 54–59.

Ian North, `Link exhibitions at the Art Gallery of South Australia', Art and Australia, vol. 12, no. 2, Spring 1974
Imants Tillers, `Moments of Inertia', Contemporary Art Society Broadsheet, Sydney, January 1974

Donald Brook, `Peeling the onion in post object art', Nation Review, Sydney, 14 September 1973
Julie Ewington, `The Joe Bonomo Story: A show of strength', Art and Australia, vol. 10, no. 3, January 1973