SELECTED ARTIST'S WRITINGS

2017
Imants Tillers, ‘Metafisica Australe’, Art and Australia, Vol 53 Number 2, Issue One: Extraterritoriality, The University of Melbourne: Melbourne.

2016
Imants Tillers, introduction to: Artist’s Choice: Five Decades of Artists’ Writings (1967 - 2014), Art & Australia: Sydney, 2016

2012
Imants Tillers, ‘An Auspicious Entanglement’ in The Loaded Ground; Michael Nelson Jagamara & Imants Tillers, Australian National University Drill Hall Gallery, Canberra, 2012
Imants Tillers, ‘Images of Flow’ in Ariel Hassan; About Madness, Greenaway Art Gallery, Adelaide, 2012
Imants Tillers, ‘Permanent Revolution: Mike Brown and the Australian Avant-Garde 1953– 1997’, Art & Australia, vol. 50, no. 2, p. 316

2012
Imants Tillers, ‘What was I thinking?’ in Paul Greenaway (ed), Fairweather, Greenaway Art Gallery: Adelaide, 2010

2009
Imants Tillers, ‘Leap of Faith’, Greenaway Art Gallery: Adelaide, 2009

2008
Imants Tillers, 'The Faith (On Marianne Baillieu)’, in The Unquiet World, Australian Centre for Contemporary Art: Melbourne, 2008

2007
Imants Tillers, ‘In Two Minds’, Greenaway Art Gallery: Adelaide, 2007

2006
Imants Tillers, 'Imants Tillers discusses Terra incognita and Terra negata', Artonview, issue 46, Winter 2006, National Gallery of Australia: Canberra, pp. 14–15

2005
Imants Tillers, ‘Land Beyond Goodbye’, Sherman Galleries: Sydney, 2005.

2004
Imants Tillers, 'When locality prevails', Heat, no. 8 new series, 2004

2003
Imants Tillers, `Bringing forth a world', in Marketta Seppala (ed), Empathy: beyond the horizon, Pori Art Museum: Pori and FRAME Finnish Fund for Art Exchange, 2003
Imants Tillers, `Mexico, etcetera and Surrender', in Marketta Seppala (ed), Empathy: beyond the horizon, Pori Art Museum: Pori and FRAME Finnish Fund for Art Exchange, 2003

1999
Imants Tillers, ‘Locating Shane Cotton’, Art AsiaPacific, vol. 23, 1999

1998
Imants Tillers, 'Five portraits of Murray Bail,' Heat, no. 8, 1998, The Giramondo Publishing Company: Sydney, 1998

1996
Imants Tillers, 'Perbutations in the image field', in Wystan Curnow and Diorine Mignot (eds), The world over/under Capricorn: art in the age of globalisation, National Art Gallery: Auckland and Stedelijk Museum: Amsterdam, 1996

1994
Imants Tillers, `Poetic justice: a case study (due allocation of reward of virtue and punishment of vice)', Midwest, no. 5, 1994
Imants Tillers 'Telepathic Music’, Michael Milburn Gallery: Brisbane, 1994

1990
Imants Tillers, 'Imants Tillers as a site of conflict', Art and Australia, vol. 27, no. 3, Autumn 1990.

1989
Imants Tillers with Wystan Curnow, 'An exchange of notes', Antic, no. 6, November 1989

1988
Imants Tillers, 'Words of wisdom', Art and Australia, vol. 26, no. 1, special bicentennial issue, Spring 1988.

1985
Imants Tillers in Dick Watkins, XVIII Bienal de Sao Paulo, Broken Hill City Art Gallery and The Visual Arts Board of the Australia Council: Sydney, 1985
Imants Tillers, ‘The Classicism of Tony Clark', Follow Me, Sydney, June-July 1985

1984
Imants Tillers, 'In perpetual mourning', ZG / Art + Text (joint issue), New York, July 1984
Imants Tillers, 'Style master: Dick Watkins', Express Australia, New York, April 1984

1983
Imants Tillers, 'One painting', in Bernice Murphy (ed), Project 40: Australian artists at Venice and Kassel, Art Gallery of New South Wales: Sydney, 1983
Imants Tillers, 'Fear of texture', Art + Text, no. 10, June 1983
Imants Tillers, 'Koala-boy', Virgin Press: Melbourne, no. 24, April 1983
John Nixon and Imants Tillers, One Painting with Many Titles, Art Projects, Melbourne, 1983

1982
Imants Tillers and James Gleeson, 'Interview with James Gleeson', Art + Text, no. 8, December 1982
Imants Tillers, 'The temple of the winds', Virgin Press, Melbourne, no. 19, November 1982
Imants Tillers, One Painting, One Horizon, Institute of Modern Art: Brisbane, 1982
Imants Tillers, 'Locality Fails', Art + Text, no. 6, June 1982

1981
Imants Tillers, Three Facts, Double Vision, Melbourne, 1981
Imants Tillers, 'Some impressions', Art and Australia, vol.18, no. 3, March 1981

1980
Imants Tillers, 'Fifty-two displacements, one year's work 1979', n-space, Sydney, 1980

1974
Imants Tillers, 'Moments of inertia', Contemporary Art Society Broadsheet, Sydney, January 1974

1973
Imants Tillers, '91 Missing Works', Sydney, 1973
Imants Tillers, ‘The Beginners Guide to Oil Painting’, a thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science (Architecture) (Honours), University of Sydney 1973, published in Graham Coulter Smith, The Postmodern Art of Imants Tillers, FMAS Southhampton UK, 2002